Peter Berg’s The Kingdom is an action procedural which tries also to be a lesson in cross-cultural tolerance. Released in 2007, we wonder if this film makes the same amount of sense after ten years. The film follows an FBI team which travels to infiltrate and find a terrorist cell in Riyadh, Saudi Arabia following an attack killing many American citizens (as well as fellow FBI agent). If art is an imitation of life, have we moved on in the last ten years, or does this remain salient?
To listen to the Price Projection Room discussion of The Kingdom click the orange arrow in the Soundcloud player at the top of this post. Or download and subscribe through Apple Podcasts, Soundcloud, or Google Play.
Wonder Woman is finally on the big screen!
After dozens of superhero films, has director Patty Jenkins revitalized the DC universe with this superheroine? Amid all the “rep-sweats,” did the film do justice to this classic comic heroine? Why is this film so important? What do we think of the women-only showings at Alamo Drafthouse? Did we enjoy this film?
To listen to the Price Projection Room discussion of Wonder Women click the orange arrow in the Soundcloud player here, or download and subscribe through Apple Podcasts, Soundcloud, or Google Play.
This episode of the Price Projection Room features a conversation on the popular film, Hidden Figures directed by Theodore Melfi and starring the dream team of Taraji P. Henson, Octavia Spencer, Janelle Monae, among many others.
Hidden Figures is a crowd pleasing film which centers on the overlooked stories of women of color whose mathematical work contributed the first successful launch of a human being into orbit. We discuss how the film both illustrated the racial divide in America while showcasing the work & struggle of African American women. Though we all have some criticism of the work, in the end it may be the representation of strong, smart black women that matters the most.
To listen to the Price Projection Room discussion of Hidden Figures click the orange arrow in the Soundcloud player on this post. Or download and subscribe through iTunes, Soundcloud, or Google Play.
Our third episode of the Price Projection Room features a discussion of the sci-fi film Ghost in the Shell directed by Rupert Sanders, based on the famous Japanese Manga written and illustrated by Masamune Shirow.
The film has also sparked controversy on its casting choices, with many critics claiming another instance of Hollywood whitewashing due to film’s Japanese origin. We discuss the nature of remakes, the whitewashing controversy, whether the film adds to the Ghost world, and Scarlett Johansson – is Ghost in the Shell the perfect conversation starter for the cultural moment?
To listen to the Price Projection Room discussion of Ghost in the Shell click the orange arrow in the Soundcloud player on this post. Or download and subscribe through iTunes, Soundcloud, or Google Play.
Get Out follows a young African-American photographer on a visit to his white girlfriend’s parents’ home. The tag line sums up the deep horror of the film, “Just because you’re invited, doesn’t mean you’re welcome.” The film is funny, scary, and has sparked conversations (and even a viral challenge) throughout the country.
To listen to the Price Projection Room discussion of Get Out click the orange arrow in the Soundcloud player on this post. Or you can download it and subscribe through iTunes, Soundcloud, or Google Play.
Our inaugural episode of the Price Projection Room podcast features a lively discussion of the film adaptation of August Wilson’s Fences, directed by Denzel Washington. Our guests include Gregg T. Daniel, Ange-Marie Hancock, and Jonathan Schwartz with moderator Erroll Southers.
To listen to the Price Projection Room discussion of Fences use the player here, or download it and subscribe through iTunes, Soundcloud, or Google Play
The Price Projection Room features conversations about film and television with interesting folks from across USC (theatre, cinema, public policy, and governance) to look at visual storytelling, media literacy, diversity, and the public good. We want to be smarter about the TV and movies we fill our time with, what our stories tell us, and how can be better together.
This podcast is sponsored by Price Video Services and USC Bedrosian Center, and continues our ongoing efforts to bring policy and its impact into the public discourse.
Listen to individual episodes on the Price Projection Room page, or subscribe at iTunes, Soundcloud, or Google Play.
USC student, Angelique Molina, interviewed Jody Armour, USC law professor, for her short documentary film which puts a light on a family living in View Park, California, as they experience the demographic changes occurring in their community. “There goes the neighborhood” is featured in the Pan American Film Festival happening February 9 through 20, 2017, at Baldwin…
As the storm rages all around us, it helps to remember how far we have come.
Back in 1998, a young filmmaker named Tim Kirkman made a movie called Dear Jesse, a documentary in the style of an open letter to legendary Senator Jesse Helms. In it, Tim, an openly gay man, compares and contrasts himself to Jesse, who famously opposed gay rights. The film debuted on HBO, and Tim was nominated for an Emmy.