Host Erroll Southers and guests Alex Ago, Ange-Marie Hancock Alfaro, and Jonathan Schwartz as they try to wrap their heads around Terry Gilliam’s 25+ years of work: The Man Who Killed Don Quixote.
Depending on who you talk to, The Godfather is either a story of an “aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son” or, the “greatest gangster film of all time.”
We discuss why the film is still watched … and loved almost 50 years later.
Listen as host Erroll Southers discusses the first of the trilogy, The Godfather, with Carla Della Gatta, Aubrey Hicks, and Jonathan Schwartz.
From the mind the brought us Get Out, is the new film scaring audiences across the states. In Jordan Peele’s latest film, Us, doppelgängers menace a family trying to enjoy their summer vacation. But … as in Get Out, everything isn’t quite that simple. Warning: Spoilers!
What mirror is Peele holding up for us now?
October 2018 brought us RBG, the documentary about the Supreme Court Justice Ruth Bader Ginsburg. Now we have On the Basis of Sex, a biopic starring Felicity Jones as this iconic leader in the fight for gender equality and justice under the law. The film is directed by Mimi Leder. Read more…
Peter Berg’s The Kingdom is an action procedural which tries also to be a lesson in cross-cultural tolerance. Released in 2007, we wonder if this film makes the same amount of sense after ten years. The film follows an FBI team which travels to infiltrate and find a terrorist cell in Riyadh, Saudi Arabia following an attack killing many American citizens (as well as fellow FBI agent). If art is an imitation of life, have we moved on in the last ten years, or does this remain salient?