Native American award-winning film director and producer, actor, singer/songwriter, author, and founder and CEO of multiple media organizations, humanitarian Joanelle Romero. Joanelle was born in both the artistic and activist worlds and has spent her life bringing those two realms together. Listen to Joanelle share stories about her many years’ being an artist and humanitarian, and from where she draws all the necessary strength in a climate where the Native American—and especially the Native woman—is absent from virtually all popular media.
Beirut: Action Thriller, Social Commentary, Both?
Erroll Southers discusses the movie & the controversy (#boycottbeirutmovie) that went with it, featuring veteran guests David Warshofsky, Lt. Col Olivia Nelson, & Jonathan Schwartz.
Ava DuVernay’s spectacular film A Wrinkle in Time has met with mixed reviews. The book the film adapts is both classic and beloved and also one of the most banned books in American schools and libraries.
Chronicling The Washington Post’s publishing of the Pentagon Papers during the tail end of the Vietnam War and starring Tom Hanks and Meryl Streep – does The Post accurately portray this important time in American History where the very nature of the First Amendment and National Security seemed in direct contrast?
Our nerd quotient is rising with the discussion of Star Wars: The Last Jedi.
Listen now to our nerdy discussion of the continuing saga of Luke, Leia, Kylo, Rey, Poe, Finn, and new characters we meet along the way.
Gary Oldman is Winston Churchill in the new WWII film, Darkest Hour.
The first month of Churchill’s historic time as Prime Minister, he faced a great decision; one that would lead either to war or to a negotiated peace with Hitler. The compressed timeline of the film drops the viewer in the midst of the “darkest hour” of British history. The decisions made during these days could have changed the course of history.
Is Blade Runner 2049 the sequel we didn’t know we needed? Set in a dystopian future Los Angeles, Ryan Gosling’s K is a replicant who hunts down dis-loyal replicants: a Blade Runner. When a secret is uncovered, he sets out on a quest. The journey becomes one to not only find the secret but to answer some of the fundamental questions. What does it mean to be alive, to be human?
To listen to the Price Projection Room discussion of Blade Runner 2049 click the orange arrow in the Soundcloud player at the top of this post. Or download and subscribe through Apple Podcasts, Soundcloud, or Google Play.
Director Michael Cuesta brings the fictional hero of Vince Flynn’s Mitch Rapp novels to the big screen in the new film, American Assassin. The all-star cast includes Dylan O’Brien, Michael Keaton, and Taylor Kitsch as part of a threesome tied together through the specter of betrayal and revenge, set upon a backdrop of international espionage and nuclear threat.
We discuss the level of violence in the film, its portrayal of U.S. black-ops and anti-terrorism efforts, the film’s space within the spy thriller genre, the motivations of the studio, the acting, the gender themes, how millennials may be viewing it, and so much more.
Hulu has adapted The Handmaid’s Tale, the classic novel by Margaret Atwood, into a 10 episode saga of life in the dystopia of Gilead. Gilead is a totalitarian society in what was formerly the United States, ruled by a twisted Protestant fundamentalism in its ‘return to traditional values’. Host Jonathan Schwartz is joined by three fierce women of USC to discuss the series’ timeliness, its narrative of motherhood, the fear of religious fundamentalism, feminism, and the absence of a discussion on race.
To listen to the Price Projection Room discussion of The Kingdom click the orange arrow in the Soundcloud player at the top of this post. Or download and subscribe through Apple Podcasts, Soundcloud, or Google Play.
Peter Berg’s The Kingdom is an action procedural which tries also to be a lesson in cross-cultural tolerance. Released in 2007, we wonder if this film makes the same amount of sense after ten years. The film follows an FBI team which travels to infiltrate and find a terrorist cell in Riyadh, Saudi Arabia following an attack killing many American citizens (as well as fellow FBI agent). If art is an imitation of life, have we moved on in the last ten years, or does this remain salient?