- Jonathan Schwartz has spent over 10 years in the corporate video space with a specialization in production and marketing to fully realize, protect, and enhance a company’s brand through video. Projects that Jonathan has produced/directed have been featured in national marketing campaigns - distributed both on the web and broadcast television. Jonathan also has an extensive technical background which he leverages to build state of the art and award winning digital delivery systems. Currently, Jonathan is the Director of Video Productions and Operations at USC’s Sol Price School of Public Policy where he has designed and implemented cost-effective streaming and video solutions/workflows which has allowed the University to reduce costs and bring production in-house. Jonathan came to USC from Celebrity Cruises, where he designed and implemented their on-board closed circuit IP-TV station / delivery system for their Solstice Class of ships. Jonathan also has a passion for the narrative space, and produces / directs short films that are often featured in film festivals around the country. He received his bachelor's degree from the University of Southern California - School of Cinematic Arts.
Articles by Jonathan Schwartz
Director Michael Cuesta brings the fictional hero of Vince Flynn’s Mitch Rapp novels to the big screen in the new film, American Assassin. The all-star cast includes Dylan O’Brien, Michael Keaton, and Taylor Kitsch as part of a threesome tied together through the specter of betrayal and revenge, set upon a backdrop of international espionage and nuclear threat.
We discuss the level of violence in the film, its portrayal of U.S. black-ops and anti-terrorism efforts, the film’s space within the spy thriller genre, the motivations of the studio, the acting, the gender themes, how millennials may be viewing it, and so much more.
Hulu has adapted The Handmaid’s Tale, the classic novel by Margaret Atwood, into a 10 episode saga of life in the dystopia of Gilead. Gilead is a totalitarian society in what was formerly the United States, ruled by a twisted Protestant fundamentalism in its ‘return to traditional values’. Host Jonathan Schwartz is joined by three fierce women of USC to discuss the series’ timeliness, its narrative of motherhood, the fear of religious fundamentalism, feminism, and the absence of a discussion on race.
To listen to the Price Projection Room discussion of The Kingdom click the orange arrow in the Soundcloud player at the top of this post. Or download and subscribe through Apple Podcasts, Soundcloud, or Google Play.
Peter Berg’s The Kingdom is an action procedural which tries also to be a lesson in cross-cultural tolerance. Released in 2007, we wonder if this film makes the same amount of sense after ten years. The film follows an FBI team which travels to infiltrate and find a terrorist cell in Riyadh, Saudi Arabia following an attack killing many American citizens (as well as fellow FBI agent). If art is an imitation of life, have we moved on in the last ten years, or does this remain salient?
Wonder Woman is finally on the big screen!
After dozens of superhero films, has director Patty Jenkins revitalized the DC universe with this superheroine? Amid all the “rep-sweats,” did the film do justice to this classic comic heroine? Why is this film so important? What do we think of the women-only showings at Alamo Drafthouse? Did we enjoy this film?
This episode of the Price Projection Room features a conversation on the popular film, Hidden Figures directed by Theodore Melfi and starring the dream team of Taraji P. Henson, Octavia Spencer, Janelle Monae, among many others.
We discuss how the film both illustrated the racial divide in America while showcasing the work & struggle of African American women. Though we all have some criticism of the work, in the end it may be the representation of strong, smart black women that matters the most.
Our third episode of the Price Projection Room features a discussion of the sci-fi film Ghost in the Shell directed by Rupert Sanders, based on the famous Japanese Manga written and illustrated by Masamune Shirow.
The film has also sparked controversy on its casting choices, with many critics claiming another instance of Hollywood whitewashing due to film’s Japanese origin. We discuss the nature of remakes, the whitewashing controversy, whether the film adds to the Ghost world, and Scarlett Johansson – is Ghost in the Shell the perfect conversation starter for the cultural moment?
Get Out follows a young African-American photographer on a visit to his white girlfriend’s parents’ home. The tag line sums up the deep horror of the film, “Just because you’re invited, doesn’t mean you’re welcome.” The film is funny, scary, and has sparked conversations (and even a viral challenge) throughout the country.
Find out what we think …
Our inaugural episode of the Price Projection Room podcast features a lively discussion of the film adaptation of August Wilson’s Fences, directed by Denzel Washington. Our guests include Gregg T. Daniel, Ange-Marie Hancock, and Jonathan Schwartz with moderator Erroll Southers.