In this episode, Marlene Forte, Aubrey Hicks, Oliver Mayer, and John Sonego take a look at one of the more influential Spanish playwrights of the early 20th century: Federico García Lorca. We discuss theatre and politics, the staying power of Lorca’s work, and a new adaptation of Yerma coming to LA theatre near you. Listen to a conversation about Latinas and the strength of female characters, sexuality, the politics of theatre, and why you should put your phone down and go see Yerma in the Desert today.
In this episode, Aubrey Hicks, Oliver Mayer, Christopher Shaw, and John Sonego examine “how, over time, the rituals that we enact color, reflect, refract back upon who we are, at any time – politically, culturally,” as Oliver points out so poetically. These two plays feature characters whose creative work reflects back onto their civic and personal lives. Will these plays, theatre in general, help a polarized country learn to spend time with each other, and listen? Can theatre help us make order from chaos? What can they reflect about America today?
They meet at a party, they drink, boundaries become blurred. The issue of consent is a central theme in ACTUALLY. How the issue evolves depends largely on what each character’s experience has been. Does handsomeness bring privilege? Does a strong support system determine privilege? Gender dynamics, race, societal perceptions, measures of success all come into question and the conversation will have a lifetime effect not only on the characters but the audience as well.
In this podcast, Aubrey Hicks, LaVonna Lewis, Oliver Mayer, and John Sonego discuss the themes and how familial background/experiences can modify a truth.
“We are all vulnerable as a victim or perpetrator. Students need to hear real voices for true transparency; otherwise, Title 9 is all about compliance and management.” (L. Lewis)
To listen to the Policy at the Playhouse discussion of Actually click the arrow in the Soundcloud player at the top of this post. Or download and subscribe through Apple Podcasts, Soundcloud, or Google Play.
John Strand’s The Originalist shines a light onto a polarizing Supreme Court Justice; Antonin Scalia. When a bright, liberal law school graduate embarks on a nerve-wracking clerkship with Justice Scalia, she discovers him to be both an infuriating sparring partner and an unexpected mentor.
Listen as Jody David Armour, Oliver Mayer, Jon Sonego, and Jade Wheeler delve into the politics of individual court members, Originalism, civil rights, civic duty, and what it means to be an American.
To listen to the Price Projection Room discussion of The Originalist, click the arrow in the Soundcloud player at the top of this post. Or download and subscribe through Apple Podcasts, Soundcloud, or Google Play.
Our inaugural episode of the Policy at the Playhouse podcast features a discussion the Latino Theater Company’s production of Rules of Seconds at the Los Angeles Theatre Center – presented in association with The Temblors. Set in Boston around 1855, the play, written by John Pollono, centers on a confrontation between a wealthy business man and a young man, resulting in weapons drawn at dawn.
Hillbilly Elegy is a memoir by J. D. Vance about family; about Appalachia, hillbillies, and the American white underclass in the rural and semi-rural interior of the United States. Vance relates his traumatic, poverty stricken upbringing to the larger social problems in both his hometown and the larger population. Through his personal struggles, he raises questions of personal responsibility and role of government in communities.