Choosing Racial Identity in the United States, 1880-1940
Emily Nix’s paper documents that many black males experienced a change in racial classification to white in the United States, 1880 – 1940, while changes in racial classification were negligible for other races
Fashion runways are public displays of opinion are just one of the many ways people enforce the public’s agenda. Bold statements are coming from high-end designers that usually have lots of wealth, which often means power in today’s society. All of these people are stakeholders. The fashion community is largely run by women and queer people who often feel they are after-thoughts in the policy-making and policy formulation processes.
“In order for us to be inclusive, we need to really highlight that representation matters and include as many people, organizations, thought processes and concerns that people may have,” said Malaika Merid, a second-year Master of Public Policy Student at USC Price who was one of the event organizers. “This is a gathering space of real diverse thought, and I think that the best way for us to move forward with that is to keep creating ways to find more diversity of thought to be included within the forum.”
Our third episode of the Price Projection Room features a discussion of the sci-fi film Ghost in the Shell directed by Rupert Sanders, based on the famous Japanese Manga written and illustrated by Masamune Shirow.
The film has also sparked controversy on its casting choices, with many critics claiming another instance of Hollywood whitewashing due to film’s Japanese origin. We discuss the nature of remakes, the whitewashing controversy, whether the film adds to the Ghost world, and Scarlett Johansson – is Ghost in the Shell the perfect conversation starter for the cultural moment?