? Rhymes for Young Ghouls, written and directed by Jeff Barnaby is set on the Red Crow Mi’g Maq reservation, 1976. It follows 15 year old Aila as she navigates growing up in a country which imposes taxes and violence upon those who wish to preserve heritage, language, and way Read more…
Powwow Highway is the story of Philbert and Buddy who journey from Montana to Santa Fe to bail Buddy’s sister Bonny out of jail. For many indigenous peoples in the Americas, life can be grim. Much has been taken from them. In Powwow Highway, we begin with a view of the failed American Read more…
Sorry to Bother You, written and directed by Boots Riley. The film follows a young Cassius (Cash) Green who joins an Oakland telemarketing company, adopting a white accent to thrive, propelling him up the ladder. He is faced with the dilemma of success and the ethics of what he’s selling. Read more…
Chronicling The Washington Post’s publishing of the Pentagon Papers during the tail end of the Vietnam War and starring Tom Hanks and Meryl Streep – does The Post accurately portray this important time in American History where the very nature of the First Amendment and National Security seemed in direct contrast?
Gary Oldman is Winston Churchill in the new WWII film, Darkest Hour.
The first month of Churchill’s historic time as Prime Minister, he faced a great decision; one that would lead either to war or to a negotiated peace with Hitler. The compressed timeline of the film drops the viewer in the midst of the “darkest hour” of British history. The decisions made during these days could have changed the course of history.
Strong female characters ground Mudbound as it tells of the challenges returning soldiers with different world views as they return to family and a small Mississippi community that hasn’t weathered the storms and triumphs they have seen half a world away. A spoilery conversation on this ensemble film about war at home and abroad.
Wonder Woman is finally on the big screen!
After dozens of superhero films, has director Patty Jenkins revitalized the DC universe with this superheroine? Amid all the “rep-sweats,” did the film do justice to this classic comic heroine? Why is this film so important? What do we think of the women-only showings at Alamo Drafthouse? Did we enjoy this film?
Our third episode of the Price Projection Room features a discussion of the sci-fi film Ghost in the Shell directed by Rupert Sanders, based on the famous Japanese Manga written and illustrated by Masamune Shirow.
The film has also sparked controversy on its casting choices, with many critics claiming another instance of Hollywood whitewashing due to film’s Japanese origin. We discuss the nature of remakes, the whitewashing controversy, whether the film adds to the Ghost world, and Scarlett Johansson – is Ghost in the Shell the perfect conversation starter for the cultural moment?
Get Out follows a young African-American photographer on a visit to his white girlfriend’s parents’ home. The tag line sums up the deep horror of the film, “Just because you’re invited, doesn’t mean you’re welcome.” The film is funny, scary, and has sparked conversations (and even a viral challenge) throughout the country.
Find out what we think …
Our inaugural episode of the Price Projection Room podcast features a lively discussion of the film adaptation of August Wilson’s Fences, directed by Denzel Washington. Our guests include Gregg T. Daniel, Ange-Marie Hancock, and Jonathan Schwartz with moderator Erroll Southers.