by Katie Bonnett Women are taking on more stress than is necessary in the household. This comes from a difference in the responsibilities of hetero-sexual household members. When the work…
Fashion runways are public displays of opinion are just one of the many ways people enforce the public’s agenda. Bold statements are coming from high-end designers that usually have lots of wealth, which often means power in today’s society. All of these people are stakeholders. The fashion community is largely run by women and queer people who often feel they are after-thoughts in the policy-making and policy formulation processes.
In today’s episode, we discuss Nnedi Okorafor’s Afrofuturist novel Who Fears Death.Joining host Aubrey Hicks for this discussion are Marisa Turesky and David Sloane.
Joining host Aubrey Hicks for this discussion are Marisa Turesky and David Sloane.
By Katrina Soriano PSR and the USC Bedrosian Center teamed up on August 11, 2019 to bring Dr. Emerald Archer to USC to address the challenges facing the women in…
Does the biopic about a 19th century French writer Colette bring her to life? This episode features a conversation on a film which seems to be of the moment. Gender…
Using contemporary examples, Kate Manne’s Down Girl: The Logic of Misogyny,explores the definitions of misogyny and its contrast with sexism. The book is a philosophical examination of misogyny as the policing…
? In 2017 two lectures presented in the London Review of Books’ Winter Lecture series were published together in Mary Beard’s Women & Power. The first lecture put into context…
“I lost an arm on my last trip home.
My left arm.”
The iconic first line of Octavia Butler’s novel, Kindred, puts the reader right there. The gravity of the legacy of slavery is there in the face. Who has lost an arm? How? Why?
Listen as host Jeffery Jenkins and guests Ange-Marie Alfaro, Caroline Bhalla, and Aubrey Hicks as they think about this classic work of American fiction.
To listen to the Bedrosian Book Club discussion of the “Kindred” episode click the arrow in the player on this post. Or you can download it and subscribe through ApplePodcasts, Soundcloud, Google Play, Stitcher or your favorite podcasting app!
New publication from Richard Green: “Gender Difference and Intra-Household Economic Power in Mortgage Signing Order.”
Gender difference is deeply rooted in our identity and has been widely documented by economists in disparate real-world economic contexts. For example, though women have made substantial labor market gains in both participation and earnings, gender inequality persists …
Wonder Woman is finally on the big screen!
After dozens of superhero films, has director Patty Jenkins revitalized the DC universe with this superheroine? Amid all the “rep-sweats,” did the film do justice to this classic comic heroine? Why is this film so important? What do we think of the women-only showings at Alamo Drafthouse? Did we enjoy this film?
This episode of the Price Projection Room features a conversation on the popular film, Hidden Figures directed by Theodore Melfi and starring the dream team of Taraji P. Henson, Octavia Spencer, Janelle Monae, among many others.
We discuss how the film both illustrated the racial divide in America while showcasing the work & struggle of African American women. Though we all have some criticism of the work, in the end it may be the representation of strong, smart black women that matters the most.
Our third episode of the Price Projection Room features a discussion of the sci-fi film Ghost in the Shell directed by Rupert Sanders, based on the famous Japanese Manga written and illustrated by Masamune Shirow.
The film has also sparked controversy on its casting choices, with many critics claiming another instance of Hollywood whitewashing due to film’s Japanese origin. We discuss the nature of remakes, the whitewashing controversy, whether the film adds to the Ghost world, and Scarlett Johansson – is Ghost in the Shell the perfect conversation starter for the cultural moment?
Get Out follows a young African-American photographer on a visit to his white girlfriend’s parents’ home. The tag line sums up the deep horror of the film, “Just because you’re invited, doesn’t mean you’re welcome.” The film is funny, scary, and has sparked conversations (and even a viral challenge) throughout the country.
Find out what we think …